Thursday, December 30, 2010

Hardy Boys/Nancy Drew Mysteries presents: Jean Rasey!

Back in the days when The New Mickey Mouse Club was consuming most of my life, I also had a mild passing interest in the Sunday night Crime-drama Hardy Boys Nancy Drew Mysteries, the show based on the best selling juvenile fiction novels and starring teenage heartthrobs Shaun Cassidy, Parker Stevenson and Pamela Sue Martin.
Pamela Sue Martin! Like most guys my age, most of the main reason to tune in to the show was to see the pretty sleuth go through the motions, and so when a friend of mine told me he’d picked up the Hardy Boys Nancy Drew Mysteries DVD Box Set of the first season, I couldn’t wait to borrow it and take a step back to those childhood crushes of yesteryear!
  The show itself was about as much as I’d remembered (the stories themselves were your basic TV mystery drama yarns like Quincy and Charlie’s Angels) and Pamela Sue was as charismatic and pretty as I’d remembered…but there was one person I hadn’t recalled at all, and that was the character of Nancy’s tomboy friend George Fayne.
 As all readers of the original Nancy Drew novels know, best friends George Fayne and Bess Marvin usually accompanied Nancy as she went about uncovering clues and solving mysteries, and though I don’t know what became of Bess, it was nice to see (along with “sort-of” boyfriend Ned) some of the other regular book characters making appearances in the show!
 The show was paired up with the Hardy Boys show, and so maybe the producers wanted to give Nancy a “partner” in the TV series, and they surely found one in George Fayne! As played by pretty actress Jean Rasey, I found myself loving every scene that George was in, and I think it’s safe to say that (at least at THIS time in my life) she really MADE the show for me!
 Jean Rasey! How in the world did I forget about her? This gal was so much fun, and I think she really brought the George character to life! I’d always thought having a girl named “George” was funny reading the books, but to see it attached to this beautiful, sunny girl just made it all the more ironic!

  And the thing I loved most about Jean Rasey’s portrayal of George is that she managed to capture the character’s tomboyishness while still managing to look cute as heck!  One of the great joys of re-watching the series after all these years is watching George’s stuttering “scaredy-cat” shtick that would give Shaggy a run for his money performed with such cute and spunky gusto!
 I was so intrigued by my discovery of Jean Rasey, that I went right to Wikipedia to find out more about this wonderful actress…only to find no page exists for her! Man, that is really sad. IMDB still had a bit about her, though it was disheartening to read that she’d only done a few more television show appearances (all between 1975-79) and nary a show since! Sigh. Oh Well, I'll always have my Nancy Drew reruns to satisfy me!

BTW...While searching for information, I came across a "Facebook" page featuring a pretty lady named "Jean Rasey"... is this the Jean Rasey?! :)

Comments from the original VOX Post:

jean rasey wrote: Feb 21, 2010 
Yes....this is Jean Rasey.

zinkognito replied to jean rasey’s comment: Feb 24, 2010 
WOW!!!!!!!

Dunno If I'm REALLY lucky enough to have garnered a comment from THE lovely Jean Rasey, but on the off chance it happens to be, I MUST say that it is a THRILL indeed to hear from you!!!!

(And who says blogging doesn't have its little rewards!?) AHAHAHAHAHAHA!!!!

Thanks so much for commenting!

jean rasey wrote: Feb 24, 2010 
Hahahaha! No thank you! & Yes it is me Jean Rasey and Yes I am back acting....again thanks for your very kind words.....:-)

zinkognito replied to jean rasey’s comment: Feb 25, 2010 
Ms Jean Rasey~

You're VERY welcome! That's great news to hear, and we'll certainly be looking out for your new endeavors!

Monday, December 20, 2010

A Mark and Brian Christmas: The Reindeer Audition Tapes

Classic Gems of Mark and Brian Christmas Past!


As I’ve mentioned before in previous posts, I was a HUGE fan of the KLOS Radio Program featuring Mark and Brian, and would listen to the show religiously every day throughout the years, til the show was unceremoniously yanked off the Hawaii airwaves, an evil act that I’ve never forgiven them for! (Thank God for Podcasts!)

  The Holidays were especially special ones to tune on to, because the show was filled with such warmth and real nostalgic conversations of magical Christmases of childhood, including Christmas songs, stories and movies, not to mention everyone’s memories of Christmas as kids.I've taken the time to rip some of my favorite Christmas skits (that I managed to capture on tape) to MP3s so y'all can enjoy them and get into that Christmas mood, too!


Today's clips is:
The SantaLand Reindeer Audition Tapes



In this scenario, Mark and Brian enter the "Rare Footage" Vault to discover the Reindeer Audition Tapes! The Setup is: We all know Rudolph The Red Nosed Reindeer was the one chosen to have a theme song for himself, but what is not so well known is that ALL the reindeer submitted THEIR theme songs to Santa for consideration!

Gotta laugh when Mark tries to "Ho Ho Ho" like Santa, and Brian asks, "Ed MacMahon here?" HAHAHAHAHA!

PS: Funny how the electric door to the Rare Footage vault sounds so much like Pink Floyd! :)

Sunday, December 19, 2010

Favorite Albums: Fleetwood Mac / Mirage

Around Mid- 1983, I was insanely in love with singer/songwriter Stevie Nicks, and was voraciously devouring anything and everything to do with her. Though I’d always loved her Fleetwood Mac songs and was even a fan of her Bella Donna solo album (especially the rocking Edge Of Seventeen), it wasn’t until her second album The Wild Heart came out that I totally flipped for her and began worshipping her as the rock-goddess she was!

  Back then, out video station of choice was Night Tracks on WTBS, and me and my friends tuned in every weekend to check out the latest videos before heading out for the night’s activities. At that time, my favorite videos were Stevie’s "If Anyone Falls" as well as "Stand Back", but I was curious about another Stevie video that Night Tracks routinely played, and that was the dreamy and mystical Gypsy, which credits told me was off of Fleetwood Mac’s latest album Mirage, which had just come out a few months earlier.
  Mirage? What was that album? I’d heard of Rumours, of course, as well as the big (at that time) album Tusk, but didn’t know anything about this one, nor did I know anyone who’d picked it up. But I really wanted the Gypsy Track, and when my friend Herb informed me that it also had the fun song “Hold Me” on it, I was convinced!
   We went down to Tower Records, and as I waited in line looking over the George Hurell-shot cover, I remember the first thing that shocked me was getting used to Lindsey Buckingham without his trademark afro and goatee! The cover was kind of a wraparound thing, with Lindsey and the girls on the front, and the Fleetwood and Mac group namesakes on the back, looking very much like the wards of the ‘Mac Estate!
We took the album home and immediately dove in. While my friend Herb showed only passing interest in the tracks, I was immediately smitten and would go on to not only repeatedly play that album over and over, but make all my FRIENDS listen to it, too!

  One great thing about having three prolific songwriters in the group is a LOT of diversity, and Mirage is another great showcase of the members’ talents. Christine, Lindsey and Stevie each take turns with their compositions, giving the album a decidedly “White Album” feel to it as they build up a musical “quilt” of song genres!

  With Lindsey Buckingham, It’s funny, that in the first two ‘Mac albums he and Stevie were in, his songs were carefully crafted pop/rock tunes, but by the time TUSK came out, his songwriting (to ME at least) started to sound like that Dana Carvey "Choppin' Broccoli" songwriting character who makes up songs as he goes along, and songs like “Not That Funny!” and “What Makes You Think You’re The One” sounded more like jam sessions with nonsensical lyrics than actual singles. 

The songs he penned for Mirage still have this loose free-form feel to them (as in songs like "Book of Love", "Diane" and "Can’t Go Back”, but they are fun and catchy as hell! There’s this one goofy song called “Eyes of the World”, and with its refrain of “eyes…eyes…eyes” as its chorus, my friend James once exclaimed “What the heck is this crap?!” before dancing around, pointing at his eyes in tune with the song. AHAHAHA! But the one masterpiece Lindsey DID lay down for this album was the cool, rocking song EMPIRE STATE, about his experiences in the Big Apple (as opposed to Sunny California). MAN, I love to blast this one!
  Stevie is the one who’s experimented the most with her songwriting, and though “Gypsy” sounds most like her previous work (almost like a sequel of sorts to “Rhiannon”), her other two songs sound more like the stuff she was writing for her solo albums. “That’s Alright” is a country-tinged kicker that almost seems like a precursor for her later “Enchanted” song, but it’s her third track “Straight Back!” that sounds the most like the “solo” Stevie Nicks songs, a slow rocker driven by some awesome keyboards by Christine. The song fades out too soon; I really wish this song could have been a bit longer for how good it is!
 Of the three, Christine McVie is the most reliable here, and she exudes the same romantic pop stylings that gave us songs like “You Make Loving Fun”, “Warm Ways” and “Songbird”. Opening the album with the awesome toe-tapping sunshine-y song “Love In Store”, she runs the gamut through tunes like “Out Of My Mind” and the fun aforementioned song “Hold Me” before closing the album with the beautifully melancholy “Wish You Were Here”, one of her BEST ballads, ever!
 High on the album, that Christmas I was THRILLED to find that they’d released a Videodisc concert of their MIRAGE tour, and after I bought it (at the local RCA dealership), it quickly became the most played movie that season! Songs form Mirage like Love In Store”, “Gypsy” and “Eyes Of The World”(!) were all featured here, and the show even had one of the coolest openings ever with “The Chain”, and one of the sweetest closing songs with “Songbird”!

Although I know that albums like Rumours and the eponymous titled Fleetwood Mac albums are probably greater albums overall, I’ve really come to embrace MIRAGE as my own, because while most Fleetwood Mac fans either love the “Bare Trees” era, the Rumours era, or the “Tango in The Night” comeback era, I have never, NEVER met another fan who owns, much less loves MIRAGE as much as me. Which is strange, because it was a bestseller when it came out…where did all those purchasers get to?

Saturday, December 18, 2010

Alberto Vargas

Bought a beautiful Alberto Vargas Book which originally sold for $45, but they made a Special Print Run for Barnes and Nobles for an INSANE price of only $14.95!
Man, I’ve loved Vargas artwork since falling in love with the image adorning the  cover that iconic CARS album CANDY-O(as did many of us guys back then) and have always been aware of his awesome artistic skills…

I remember inheriting a whole slew of old Playboys when I was around 13 or 14 years old, and being blown away when I discovered Vargas’s contribution for each issue was to create a saucy and (utterly nude) pinup for each Month! Heck, I was SO obsessed with Vargas’ artwork that I actually TORE OUT all the Vargas pin-up pages to put in a separate portfolio collection...WTH!!! Gads, all those old collectible Playboys ruined…!

Sad to say, in the end, not only did I tear up all those collectible Playboy Magazines, over the years those pages have been lost to time, so I don't even have those pin ups to show for my thoughtless deeds! D’oh! So it was nice to have a slick coffee table book of Vargas works...
144 pages of beautiful artwork that covered Vargas work from the early days 1920's to the Playboy Years 60-70's . the 1940-50's esquire stuff was great, but naturally I have a penchant for his 60's stuff.. such GORGEOUS GALS!!!

Now online looking to see if I can find some of his other works that I might have torn out of a mag before...

Saturday, December 4, 2010

Favorite Albums: Dead Milkmen / Eat Your Paisley!

I was first introduced to the sounds of the Dead Milkmen by a local band called X=X. Among the songs in their setlist was a groovy and fun song called “The Thing That Only Eats Hippies”, and when I asked the bassist about the song one evening, he informed me that the song was in fact a cover of a group with the zany name of the Dead Milkmen!

Dead milkmen? Well, that was a sillier name than I could have imagined, but when you consider that this is a band who sings lyrics like:

“What Do they Taste Like?
Some Kind Of Treat?
How Many Hippies Can This Monster Eat?
It Ate Stills and Nash Before they Could Shout
And then it chewed on David Crosby- But it spit him out!”

I suppose I shouldn’t have expected any less!!! HAHAHAHA

 That weekend I made my way to the local record store in an attempt to find the Dead Milkmen album with The Thing That Only Eats Hippies. This wasn’t too hard a feat seeing as how the Milkmen only had a couple of albums out, the other one being “Big Lizard in My Backyard”. The Hippies song was on their latest album, a crayon-drawn cover with the curious title “Eat Your Paisley”!

Well, the title alone indicated that the album would be as much fun as the Hippies song, and not only did it not disappoint, it blew us away! Every song was SOOOO MUCH FUN! Listening to EAT YOUR PAISLEY was like watching a marathon of  “The Kids In The Hall”, it was so zany! And Catchy! Man, that album became the soundtrack for me and my friends that summer!

Days were spent on campus singing the lyrics to “Where the Tarantula Lives”, and nights were spent driving around town loudly singing along to deliciously warped tunes like “Beach Party Vietnam” “Air-Crash Museum”, and the acidic poseur-bashing tune “Moron”, and a favorite to all was blasting the epic album closing song “The Fez”!

Of course, in later years, the Dead Milkmen would gain a larger audience with their peppy song “Punk-Rock Girl (probably the song they’re most known for nowadays), but Man, nothing can top those  college days of Eat Your Paisley!

Saturday, November 20, 2010

Favorite Albums: Petula Clark / My Love

One of my all-time favorite female vocallists, Petula Clark probably THE female vocallist of the “Swinging Sixites” sound with hits like “Downtown” and “Don’t Sleep in the Subway”, among others!

Growing up, my favorite song from Ms. Clark, or “Pet” as they called her occasionally, was the super-positive, horn blaring single A SIGN OF THE TIMES. I always turned this one up whenver it came on the radio, Petula’s voice always seemed so sincere and happy as she sang the lines “You’ve changed a lot somehow from the one I used to know, ‘cause when you hold me now, it feels like you never wanna let me go!”.

Strangely enough, it wasn’t until I fell in love with ANOTHER one of her singles that I finally decided I’d better pick up an album from her: One day we were all riding down to drop someone off at the Denver Airport, and Pet’s song MY LOVE came on the radio. With its simplistic lyrics, it was one of those songs that everybody knew the words to, and everyone in the car started singing at the tops of their lungs, “MY LOVE IS WARMER THAN THE WARMEST SUNSHINE SOFTER THAN A SIGH MY LOVE IS DEEPER THAN THE DEEPEST OCEAN WIDER THAN THE SKY MY LOVE IS BRIGHTER THAN THE BRIGHTEST STAR THAT SHINES EVERY NIGHT ABOVE, AND THERE IS NOTHING IN THIS WORLD THAN CAN EVER CHANGE MY LOVEEEEEEEEEE!!!!” After the song ended, we all sat around grinning like idiots, that song made us so happy! I said, “Ah, I really must pick up this song the next time I’m a a record store!”

Well, when I finally got down to the record store, I was PLEASANTLY surprised to find that the album “My Love”ALSO featured my old favorite, “A Sign Of The Times”!! I couldn’t believe it! How did I ever miss picking this album up originally?! For a very modest $6.99 I was able to purchase that album and take it home!

Well, for weeks and weeks, that album was my main disc to play almost every track was just pure pop perfection. Arranged and Conducted by Tony Hatch, the sound of Pet’s recordings really had that Phil Spector “Wall of Sound” aura about it, the tunes just blared out with droning horns, banging drums and riffin’ guitars!

Nowadays, young people cannot imagine having to change sides to hear a complete album, but that’s how it was, and sometimes it would happen that you’d get attatched to one side more than the other…that’s what happened to me with the My Love album!
For some reason, even though side A started with “My Love”, all of my favorite songs form the album were on side B, so it may seem like I have a LOT more to say about the tracks on the second side!!

After  “My Love” starts Side One, next we had “Hold Onto What You’ve Got” and “We Can Work It Out”, and  although only the latter was penned by Mssrs. Lennon and McCartney, both are really Beatlesy in flavor, at least as far as THESE ears are concerned!

“Time for Love” is the song I called the “Downtown” of this album, It really sounds like a song recorded during THAT session with its bright keyboards chirping away!
An emotional Pet on “Just Say Goodbye”, my fave line’s when she sings “It’s sad that you must go, you loved me once, I know, this much I can’t deny”…

“Life and Soul of the Party”-I don’t know if it’s the fact that the song’s about being at a PARTY, but I’ve always thought of this as Pet singing a  LESLEY GORE song, really “Judy’s Turn to Cry” in feeling!
And THAT ends Side One…

 Side Two:
First off, “A Sign of The Times”, followed by a GREAT rendition of  the standard “The Thirty-First of June”, a song that Petula made her own, as she did on so many other tunes!
I think this is Pet singing at her heart-wrenching best, with its “darling” hook, and especially when the song swells up and she sings the lines “Even so, deep inside the fire of love still burns, so please return and love me now!” Powerful!

“I Can’t Remember Ever Loving You” has that tinkly piano that I always thought sounded like “Precious and Few” by Climax, a song that was almost the exact OPPOSITE of Pet’s sad song that ‘s more akin to Barry Manilow’s “Trying To Get That Feeling Again”!

“Dance with Me” features a VERY “Soundtrack-y” orchestration behind her vocals, even slightly reminiscent of the intro to “The Age Of Aquarius” and even a bit of  “My Hawaii” by the Young Rascals!

And closing the album with one of my very, very favorite Petula Clark tracks, Pet’s take on the Guys and Dolls standard “If I Were a Bell”…folks, I’m gonna go out on a limb and say, it just doesn’t get better than this! The horns, drums, Pet’s solid vocals, WOW, this had all the aura of Las Vegas in the 60’s, when everything was “Cool, Baby!”
Why, Pet even throw in a few “Ring-a-Dings” just in case you didn’t catch that one!

This pourchase was soon followed by what would become my OTHER favorite album from Pet, “Petula Sings The International Hits” but these were only the beginning of a long and lasting love of all things Petula Clark and I was probably the happiest guy at Tower Records when, years later, they FINALLYgot around to re-releasing all of Pet’s albums on CD! What they’d done was , each CD combined TWO of Pet’s albums, in the case of MY LOVE, it was on the same CD with  I COULDN’T LIVE WITHOUT YOUR LOVE. Funny thing, THAT album began with Pet’s take on “Strangers in the Night”, and since it followed the MY LOVE album, “If I Were A Bell” went right into “Strangers in the Night”, a PERFECT coupling, both with that aforementioned “Vegassy” feel and Sinatra connection! Ahahahaha

Wednesday, November 17, 2010

Favorite Comics: Ghost Rider #45-47

One of the many comics I collected in the 70’s was the supernatural themed strip GHOST RIDER.
Although Ghost Rider’s origins began within the Marvel Universe I.E. battling super-villains and teaming up with the various heroes of the Marvel Universe (even joining THE CHAMPIONS for awhile), to me, the comic didn’t really “find” itself until scribe Michael Fleisher took over the writing chores in issue #36 or so.

Mike was already famous for his work on the DC title JONAH HEX, and I’ll be darned if he didn’t bring that whole experience along and apply it to the legend of Johnny Blaze, as well!

Gone was the superstar stuntman Johnny Blaze, living in the big city, hiding his secret identity from a girlfriend as he did double-work as an adventurer and part-time member of the aforementioned Champions,( a group that never seemed quite believable to me anyway- Hercules? In a group with Iceman and Angel AND a hell-spawn demon?) and in its place was a Ghost Rider that seemed much more attuned to its lonely demonic origins.

Fleisher took elements of his two more famous works, JONAH HEX and THE SPECTRE, and, along with awesome illustrator Don Perlin (who really had that Jonah Hex western style of art), painted a glorious picture of a supernatural demon wandering across the desert wastelands, helping those in need, with the hangman (or rather, the law) always just one step behind him. In effect, Johnny Blaze became a demonic hellspawn “Man with No Name”!

When I first began reading GR, the series was a bi-monthly title, (and it was EXCRUCIATING waiting the long time between issues!) but once the comic became a monthly venture in issue #40, the strip really took off with the most haunting, memorable tales including Johnny Blaze getting amnesia and one where a wizard splits Johnny and the Ghost Rider into two separate entities!

 But by far, my favorite arc in the series came up on issue #45. Fleisher revisited Johnny’s days as a famous stunt cyclist and in effect drew that chapter of his life to a close, freeing him to continue on as the tortured palefaced rider of the desert plains…

“The Demon Within”

We arrive on the scene as the Ghost Rider is tying up a few loose ends of his previous adventure, catching a trio of crooks who have been pawns in a bizarre plot against him by magician Azazaih in the previous issue. After giving them a punishment of cold, burning Hellfire, The Rider reverts back to Johnny Blaze, and wearily makes his way down to the local pub to have a beer.

When Johnny arrives inside, the local townsfolk are huddled around the bar’s television set, watching in amazement as Stunt Cyclist Flagg Fargo breaks a new motorcycle somersault stunt record, a feat only executed before by Johnny himself! The crowd goes wild, until Flagg starts bad-mouthing Johnny, calling him a coward for not meeting him on challenges he’s been making at every stop of his tour. The bar crowd angrily protest the accusation, saying the Johnny Blaze was the best stunt-cyclist there ever was! Then one of the patrons looks over, and immediately recognizes Johnny as THE Johnny Blaze, stuntman extraordinaire!


Ghost-Rider0
The crowd rallies around Johnny, begging him to come out of retirement and put an end to all of Flagg Fargo’s bravado. After a bit of indecision, Johnny agrees, to the cheers of the barroom!

As Johnny leaves the bar that night, he sees a gang of thieves robbing a nearby warehouse. He hesitates changing into Ghost Rider, and that’s all the time the crooks need to get away. Off in the distance, he sees Flagg Fargo’s trailer, but thinks nothing of it.

In the days that follow, huge coverage has been made over Johnny’s return to Stunt -cycling, and everyone is turning up to see brash newcomer Flagg Fargo take on famous champ Johnny Blaze! But right off the bat, Johnny realizes how rusty he is. He hasn’t trained for this kind of maneuvering in years, and in his very first stunt, he lands quite awkwardly.
Flagg, on the other hand, is steady and sure of himself, and completes his stunt flawlessly. At the end of the heated challenge, with Flagg locked in competition with Johnny, the score has ended up at Flagg’s 325 to Johnny’s 225. Johnny takes it hard, but his sponsors cheer him up, confident that he’ll catch up in the next day’s events.

As Johnny rides home from the arena, he comes across the gang of thieves he’d chased the other night. Not wanting to give himself over to the Ghost Rider, he decides to chase the crooks himself, but is cut off by a car attempting to block any pursuers. Johnny crashes into the car, and as it speeds off, Johnny picks himself up and exclaims, “You want to know something, Blaze old Kid? This just hasn’t been your night!”

Day Two of the Motorcycle Championship at Claremonte Arena is about to commence with  newcomer Flagg Fargo versus Johnny Blaze, former champ, just out of retirement! As the two motorcyclists prepare for the night’s events, Flagg’s constant goading of Johnny is starting to get to him, and he finds he can barely control himself. When Johnny looks like he might strike Flagg, the ref steps in and warns Johnny to keep professional during the event.

The championship starts, and though it begins smoothly, Johnny makes a mistake on the final turn of the obstacle course. Flagg aces the course, and seems to set the pace of the day. For every course Johnny wins, Flagg wins two. And so it is that at the end of Day 2, the scores are Flagg at 625 to Johnny’s 400. Fargo lips off at Johnny after the game, chiding “You’re in way over your head- If I were you, I wouldn’t even bother comin’ back tomorrow!” And this time Johnny doesn’t hold back, walloping Flagg in the chops. The ref comes to break it up and dismiss them. Fargo states “ While You been ridin’ around the country feelin’ sorry for yourself, I been workin’! I been practicing!” Johnny leaves to find his backers are starting to have their doubts that Johnny can pull it off, as well.

During his meal at the diner, a tough thug comes in picking up a huge order of food. Johnny immediately recognizes the man as one of the warehouse robbers he’d seen the night before. Following the thug to a waiting van outside, he changes into Ghost Rider, and goes off in hot pursuit of the crooks. But after a wild chase, the crooks mysteriously disappear again, and this time Johnny notices that both times, Flagg Fargo’s trailer has been nearby.

He deduces that Flagg must be in on it, and smashes in on the startled Flagg Fargo relaxing inside. He manhandles Fargo, demanding he admit to both leading the warehouse crooks AND cheating in the motorcycle championship. He leaves Fargo with, “Once I have caught your slimy accomplices and made them confess, I will return to inflict the full vengeful fury of the Ghost Rider unleashed!”
Later, Johnny laments the foolishness of his acts. He has no proof that Fargo is either a crook or a cheat…and what if he’d accidentally killed him as Ghost Rider? He doesn’t want to even think about that! Winning the championship means so much to him, he even briefly entertains using his Ghost Rider powers to cheat and get ahead, but thankfully opts to race the race honestly.

Johnny knows he must get a good night’s sleep for the final challenge the following day, but after tuning up his cycle, finds he cannot sleep. He drives around aimlessly all night, till he realizes it is morning. He is about to head back, when he sees Flagg’s trailer. Standing atop a mountain view, he can see a nearby hidden road covered by brush that hide the criminals vans from street view! So, here is where they have been escaping to! He bursts in on them as Ghost Rider, and makes quick work of them. He tries to get them to confess involvement with Flagg Fargo, but they insist they have nothing to do with him.

With the capture of the warehouse robbers behind him, Johnny arrives at the Arena with a newfound determination to win. Flagg comments that Johnny looks like he’d been up all night, but Johnny brushes it off, and prepares for the duel! This time, Johnny pulls out all the stops and performs incredible stunts. But Flagg is professional, too, and in the end, just barely manages to still beat Johnny with a close call of 825 to 820.

Johnny’s backers are furious. “Get outta here, Blaze you Bum!” they yell. “Yeah, take a powder, you has-been!”. But it is Flagg Fargo himself who comes to Johnny’s defense. He remarks that all his life he’d wanted to be the best, but what he’s seen Johnny do tonight he can only dream of. So even though Flagg won, he considers Johnny the winner. He offers the trophy to Johnny, but Johnny declines it. “You won fair and square.”
Late that night, Johnny takes one last look at the scoreboard of last night’s narrow defeat against challenger Flagg Fargo, 825 to 820. “ Face it Johnny Boy", he says to himself, "You can stare at that scoreboard till the cows come home, but that still isn’t gonna change it. You lost fair and square.” He realizes he has to accept the fact that he is no longer the world champion of anything.

As he leaves the empty arena, he realizes that most of the blame for his loss came from the fact that he spent more time as Ghost Rider than practicing and getting rest. Musing on how the Rider has completely taken over his life, he decides once and for all to leave the identity of Ghost Rider behind him, and concentrate on becoming his own person. “No matter what happens, I swear here and now, that I will never become the Ghost Rider again!”

Next time we see Johnny, it is three days later, and though Johnny hasn’t changed into the Ghost Rider, he is beginning to feel the symptoms of withdrawal. He can feel the spirit of the Rider rising up in him, trying to come up to the surface. He stops at a roadside bar where he hopes a few beers will calm his nerves down and keep the Rider in him at bay.

Inside the bar, he orders a beer from the barmaid, but before he can enjoy his brew, is suddenly harassed by a trio of Motorcycle thugs who’ve instantly recognized Johnny from his televised Championship defeat. They approach Johnny and goad him into a brawl. He slugs one in the gut and cracks one across the face before the bartender comes out with a stick to chase out the ruffians. After making sure Johnny is alright, they get him another beer on the house.
Later that night (and quite a few beers later as well), Johnny feels it is enough to “keep the demon down”, and stumbles out into the streets, where he find the three motorcycle thugs waiting for him on his motorcycle. The inebriated Johnny cannot even see straight, and the thugs begin beating him with chains and crowbars. The leader called Raz is about to stomp his heel onto Johnny’s head, when a policeman arrives in time to chase the thugs off.

The policeman and his companion, a pretty girl named Amy who is being taken in for loitering, check on the bruised Johnny, and determine he’s alright. Amy offers to take Johnny in if the cop will cite her some other night . He reluctantly lets her go. Once in the car, Johnny is coming to, and tries to thank her for her kindness, but she says she recognized Blaze because her brother is a motorcycle fanatic, and the pleasure is all hers!
At her little home, she shows him the couch to crash out on, and he promises to “sleep like a lamb.” His slumber is restless, however, for his nightmares are crowded with the specter of Ghost Rider haunting his mind. He dreams of torturing the thugs with hellfire, and wakes up with the bloodlust of the Rider bubbling up. He desperately needs another drink to drown the Ghost Rider back down into his subconscious. Amy thinks she is looking at a classic alcoholic when he demands a drink, but relents, and lets him have one, if only to relax him. He has managed, just barely, to keep the demon down again.
The next day is a happy one for the couple. Johnny apologizes to Amy for his actions the night before, as they make their way to the field, where they plan on having a relaxing picnic. After a meal together, Johnny and Amy are cozying up to each other, when Johnny hears the dreaded voice of the motorcycle thugs. They’ve come back to harass Johnny, but this time, all he wants is for them to leave.

They rummage through his motorcycle pack, and pull out his Championship Outfit. One of them puts it on. Then they say they are taking Johnny’s cycle, and want his leather jacket, too. Johnny is angry, but Amy tells him to just do it so they will leave. Johnny reluctantly backs down, and taking off his jacket and handing it to them, growls, “Here, you rotten…Here it is!”
The three thugs ride off and Johnny is furious, but Amy is proud of him for not resorting to violence. She points out that the important thing is that they have each other. But no sooner have the words left her lips, when the thugs return.. and accost Amy! The thugs push themselves onto the helpless girl, and this is the final straw! Johnny has had enough, and as four days of demonic repression burst forth in one huge explosion of rage, Johnny become the Ghost Rider again, insane with anger!!!
This is the first time we have seen the Ghost Rider without his leather jacket on, and for the first time, we see what the Rider’s “muscles” are composed of, swirling, flaming muscular sinews roar around the bones of the enraged Ghost Rider ! With a demonic gesture, he conjures up his chopper in a billow of hellfire, and speeds on to catch his fleeing prey. He immediately has them in his grasp where they are immediately engulfed in icy hellfire, the cold flame searing through them and obliterating their very souls!
Once the horrific deed is done, the fire and brimstone are suddenly sucked back into a weakened form of Johnny, where a frightened Amy rushes to his side. She fully understands his meaning of “Keeping the Demon down” now. “That’s what you meant, isn’t it?” “ That…That awful Thing!” Johnny admits that it is. As Johnny gets onto his cycle, Amy begs him to stay with her. “We can beat this thing if we stay together…I know we can!”, but Johnny sadly drives off, never looking back, thinking, “The Demon is inside me, Amy.” “It’s inside to stay.”

Sunday, October 24, 2010

Five Favorite James Bond Movies

FOR YOUR EYES ONLY

This movie has it all for me…there are so many great scenes one after another…good story and pacing, good female lead in Melina, good partner in Columbo and a KILLER theme song by Sheena Easton!

     From the very beginning, the movie seems different from the others. Bond is shown placing flowers at the grave of Teresa Di Vicenso Bond, his one time wife, slain at the hands of SPECTRE.  He is then abducted by a sinister bald man with a white cat who of course is meant to be Bond’s old foe, the SPECTRE leader, Ernst Stavro Blofeld.

  This is pretty significant in that it clearly linked the Roger Moore James Bond with his predecessors, as if to show, “Yes, this is the same guy”. I remember as a kid having my older cousin explain to me about how his wife was killed by Blofeld in an earlier movie, and even then I could feel the “history” of the James Bond character.

 In any case, although the opening degenerates into slapstick comedy, I think this was meant to mark a point as if to say the older movies were like TV shows, and the movies were going to be more “realistic” from that point on. Too bad they didn’t stick with it in the future endeavors!
   Favorite scenes include the first meeting on Bond and Columbo. Villain Kristatos has tricked Bond into thinking that Columbo is the bad guy. Columbo confronts Bond and tries to assure him that they are on the same side. In an act of good faith, he returns Bond’s Walther PPK to him, proving that they should be acting together. Bond points the gun in Columbo’s face, then they both relax and laugh - partners against Kristatos!

   There’s this car chase that ends with assassin Emile Locque‘s car crashed and hanging halfway on and halfway off a cliff. One wrong move might tip the car off the edge, and Locque is in a jam as to how he will get out of the car! He has always left a pin of a dove whenever he has killed someone. Bond tosses the pin in the car, and the viewer thinks the pin will cause the car to tip over… …but before it does, Bond simply kicks the car with all HIS MIGHT over the edge!!! Ruthless!

  The movie builds up to the assault on the secret base of Kristatos, high up on the bluffs. There are some exciting moments as Bond and crew sneak up the face of the bluff to storm the headquarters!

   And can we ever forget gushy Lynn-Holly Johnson’s Bibi Dahl? Bond shows his age as he fights her off, telling the sex kitten he’ll “buy her an ice-cream!”



LIVE AND LET DIE

The one that started it all for me and gave me a lasting obsession with Jane Seymour! I particularly love the soundtrack and George Martin’s score. I agree with the reviewer who said Martin’s Take on the James Bond Theme song is one of the best! Listen to the powerful intro as the scope opens up on the United Nations Building. Good build-up in the teaser working to a PERFECT segue into Paul McCartney’s song.
    Interesting Henchmen in Tee-Hee and Baron Samedi, and one of the most off the wall and inspired endings of all! (Supernatural reincarnation, anyone?)

 Besides being a thrilling song that PERFECTLY matched the feel of Baron Samedi’s Voodoo land, George Martin took the three parts of the song and turned them into these GREAT musical scores. The “When You Were Young” segment of the song turned into the lush romantic scene music, the Frantic Horns section turned into the actions scenes score, and the “What does it Matter to You” segment turned into the funky island music scenes. Maurice Binder did an excellent Montage with this song, using Fire and Skulls to add to the Voodoo Theme.


GOLDFINGER

It wasn’t until I saw this movie that I understood the whole “secret agent” concept that so many copied in the 60’s. Brilliant, witty dialog, interesting characters and a story that keeps you glued to your seat up until the Fort Knox showdown. I love the fight with Odd-Job and the fact that (as throughout MOST of the movie) Bonds uses his MIND to survive rather than use gadgets. Connery at his very best here, strong, suave and also realistically brutish (love the scene where he’s attempting to diffuse a bomb and ends up GUESSING which wire to pull!) The scenes shot in 60’s California streets (Felix Leighter at a KFC!) and the Shirley Bassey “Herb Alpert” style theme song give this movie a nostalgic feel about it, too!


OCTOPUSSY

This is a Bond movie that I’ve always felt possessive of, for some reason. During its stay at the local theater, I saw it a total of SEVEN times, dragging different people - and sometimes even making the SAME friends go with me multiple times! I was really trying  to “spread the religion” and I STILL feel this movie isn’t as highly regarded as it should. I think the way they took the stories “Property of a Lady”, “The Living Daylights” and Octopussy” and melded it into one linear story is just fantastic! The movie features an awesome teaser opening (Fill ‘er Up!), good movie set-up (the opening with 009 delivering the Faberge Egg to the British Embassy) and man…once the train starts its course, the movie doesn’t let up until the end! And that Kristina Wayborne….Mmm!


FROM RUSSIA WITH LOVE



I love this movie for its detailed and well paced scenes. Director Terence Young relied closely on the original Ian Fleming Novel, and it shows. Great characters (Klebb and Red Grant) and the first appearance of Q! Everyone was here for this one, but my biggest draw for this movie has to be the character of Tatiana “Tanya” Romanova (Daniela Bianchi) whose innocence and looks just sent me head over heels for her. The scene where she is wearing a black ribbon around her neck (and not much else)…HELL! This movie also featured a terrific instrumental opening song…too bad it is usually passed up in Bond Compilations for the Matt Munro ending song instead.

Wednesday, October 13, 2010

Super-Vixens: Dawnstar

You know, one thing that always disturbed me about the future depicted in the pages of Superboy starring the Legion of Super-Heroes was that far from a future of peaceful racial co-existence, it seemed that all the people of different races, colors and creeds gave up trying to intermingle with each other and departed for planets of their own!

 I first noticed this reading the story of Tyroc, the black man with the sonic scream that could teleport him wherever he wanted to go- hailing from an entire planet populated by blacks…my first thought was like, wow, Planet Earth must have pulled some MASSIVE super-segregation in the 30th century!

 Which brings us to Dawnstar, a young girl coming from the planet Starhaven, and THIS one is populated by the descendents of American Indians (Anasazi, it seems) whom I guess realized were never gonna get their land back from those "dirty backstabbin’ Americans", and hopped the first rocket out to colonize a new planet!

They’ve somehow grown wings and are able to fly like eagles- for some reason, this oft-used relationship between the eagle and Indians makes sense to me, as the Eagle has always seemed synonymous with the Indian  philosophy (is it un-PC to say Indian anymore?), think about that song “Eagle” by ABBA- very Native American in feel!

In fact, I hereby declare that ABBA song as the official theme song for Dawnstar!



Of course, being of Native American descent, her costume has tassles and fringe. All “Indian” characters costumes have to have that fringe! Well, maybe not. But just taking a quick glance at heroes like  Thunderbird, Dani Moonstar or even Talisman, it sure seems like it to me!

Created by Paul Levitz and Mike Grell in
SUPERBOY starring the LEGION OF SUPER-HEROES #226

Wednesday, September 15, 2010

Favorite Songs:"End Of The Line" by Concrete Blonde

  California alt rock group Concrete Blonde are such terrific songwriters that their take on other artists’ tunes are largely overlooked- Unlike some other groups who merely “do” covers, this group takes songs they like and lovingly transform them into true Concrete Blonde masterpieces!

  Songs like George Harrison’s “Beware of Darkness”, Thin Lizzy’s “It’s Only Money” and Tommy James’ “Crystal Blue Persuasion”…Listening to any one of their covers and it is obvious that the band has given the same amount of time and crafting to these tunes that they’ve given to their own songs!

Of all these cover tunes that the band has produced, (and there have been many, many…!) the song that stands out in MY mind as one of their very best is their take of Roxy Music’s THE END OF THE LINE, featured on their incredible 1993 album MEXICAN MOON.

There are lots of reasons why this cover works so well, but a large part of is that by the time Mexican Moon came out, vocalist/bassist Johnette Napolitano and Guitarist Jim Mackey were seasoned pros; after travelling across the world a zillion times in as many tours, their experience shows through in their sound-No one croons like Napolitano with her low, growling whispers and powerful wailing, and when you add in the lush, layered guitars of Jim Mackey, you are left with pure perfection!

The End of the line was originally off Roxy Music’s 1975 SIREN album, and though I liked the song, I always thought of it as the opening to the avante-grade third track “Sentimental Fool” (since they were essentially connected) and never thought of its potential as a “single” type of song. WOW, how the Concrete Blonde version has changed my mind!

Over the years, I have made quite a few Concrete Blonde cassette mixes for people, and almost ALL of them have concluded with “End of the Line”… Just listening to Jim’s  echoing reverb as he picks out the  resounding notes on his guitar- with double-tracking and a guitar synthesizer, he’s created this beautiful guitar harmony , and then laid over this is the incomparable Johnette’s heartfelt singing- She sings with such passion, you really feel like the lyrics are hers, and when she hits those notes…MAN! Just awesome!


The End Of The Line
(Bryan Ferry)

Take a walk out in the rain
Called you time and time again
Everything is wrong-
You´ve gone

Reached the point of no return
The more I see the more I stand alone
I see the end of the line

Were you ever lonely?
Mystified and blue?
Realising only
Your number´s up
You´re through

Had my share of winning
Now´s my turn to lose
After a fair beginning
The game´s up
You’re through

Think I´ll walk out in the storm
Got no love to keep me warm inside
I see the end of the line
Now´s the time to take a dive
Try a magic carpet ride
Everything is wrong
You´ve gone

If you ever miss me
If I should cross your mind
You know where to find me
I´ll be waiting at the end of the line