Showing posts with label Fleetwood Mac. Show all posts
Showing posts with label Fleetwood Mac. Show all posts

Wednesday, June 25, 2025

More Misheard Lyrics: “And I’m Dewey”

In late 1979, a song started airing on the radio that made me immediately think of Donald Duck and his rambunctious nephews, Huey Dewey and Louie, because whenever I heard it, it sounded like the girl was saying:

He was singing
“And I’m Dewey…
And I’m Dewey…
…Delacie!
I’m Dewey DeLacie!”

 I laughingly told my friends “Dunno who this Dewey DeLacie guy is, but in MY mind I'm imagining that she’s singing about Dewey Duck!” We all laughed and from that point on, we’d all sing those words over the song whenever it came on! LOL
The SONG, as it turns out, was the Fleetwood Mac song “Sara”, written and sung by Stevie Nicks from their  1979 album "Tusk" ...
.... and unlike the very silly Disney lyrics I THOUGHT Stevie was singing, I was to later find out that the words were ACTUALLY:

He was singing
 and undoing
and undoing 
the laces
undoing the laces

 These lyrics were referring to her infamous fling with the Eagles Don Henley, her pregnancy and their would be daughter Sara (if Stevie had decided to keep the child).  BOY, to go from Dewey Duck acknowledging himelf to a song about a man serenading a girl while undressing her was quite a 180 degree twist!…and quite a bit darker than I thought!

"Sara" excerpt:

Fleetwood Mac would become one of my favorite groups of all time and the `978 album “Tusk” a classic, but even though I now know the lyrics and song well, there are times when it STILL sounds like she’s singing about Donald Duck’s nephew!

Monday, June 10, 2024

The Making of a Masterpiece: Fleetwood Mac “Gold Dust Woman”

 
One of the bonuses in the remastered deluxe editions of the classic 1976 Fleetwood Mac album “Rumours” is the treasure trove of unreleased songs, takes and demos, and one that really stood out for me was the ‘early demo” of Stevie Nick’s ethereal “Gold Dust Woman".
In its conceptual stage, Gold Dust woman is really more of a folky or country sounding tune, an entirely different sound from what became the  album’s masterpiece closing track! Stripped down to  sparse instrumentation, Stevie’s voice is sweet and gentle as she sings out the now familiar by heart lyrics, it's so intersting to hear the bare-bones structure of the tune, so fresh and yet so familiar...and when she hits the refrains, you just get goosebumps!

Mesmerizing as it is, it’s a joy and wonder to hear the finalized version right afterwards. THIS version is a rock-anthem proper, with Stevie’s voice now strong and commanding, full backing choruses, Buckingham’s tasty guitar licks, hypnotic, dreamy dobro and of course the driving sound of Fleetwood’s cowbell throughout the song to that huge, haunting conclusion…you realize just why this group was as lauded as they were- just pure genius!
As some of you know well, Stevie Nicks is one of my Favorite artists and "Gold Dust Woman" is certainly among her very BEST compositions!!!

Tuesday, August 29, 2023

From my Stevie Nicks Collection...

Back around mid-1983, I was MASSIVELY in LOVE with chanteuse Stevie Nicks, mostly buoyed by her then-recent album "The Wild Heart" of which I ADORED to DEATH then (and still cite as my fave album from her)...
Anyway, back then you could go to the record shops and over the counter they would have these professionally shot photos for sale of your favorite artists, and I still have  a whole bunch of the ones I bought with my dear Stephanie Lynn in them! These are just a small sample of all I bought that summer! 
What a Goddess!

Friday, June 5, 2020

More Misheard Lyrics: “Green Air, Now”

 In the era of environmentally conscious efforts all over the world to make the world’s ecosystem clean and nature-friendly, there must be a ton of compaines and agencies calling themselves “Green Air” but when I was a kid, the term Green Air only meant one thing: The refrain to the latest Fleetwood Mac stop 40 single!
The song in question was the Stevie Nicks penned (strange how so many of her songs are featured in my Misheard Lyrics posts) tune “Rhiannon”, which, for SOME reason, instead of the title refrain, my ears heard them drawling ‘Green Aiiiiiiiiir- NOW!”
Later when I learned they were saying Rhiannon, I tried to justify my confusion by saying, “But listen, it really sounds liek they’re saying Green Air!” to which my friend Larry listened for a second and exclaimed, “Oh YEAH!” then, “no.” D’OH

Sunday, December 19, 2010

Favorite Albums: Fleetwood Mac / Mirage

Around Mid- 1983, I was insanely in love with singer/songwriter Stevie Nicks, and was voraciously devouring anything and everything to do with her. Though I’d always loved her Fleetwood Mac songs and was even a fan of her Bella Donna solo album (especially the rocking Edge Of Seventeen), it wasn’t until her second album The Wild Heart came out that I totally flipped for her and began worshipping her as the rock-goddess she was!

  Back then, out video station of choice was Night Tracks on WTBS, and me and my friends tuned in every weekend to check out the latest videos before heading out for the night’s activities. At that time, my favorite videos were Stevie’s "If Anyone Falls" as well as "Stand Back", but I was curious about another Stevie video that Night Tracks routinely played, and that was the dreamy and mystical Gypsy, which credits told me was off of Fleetwood Mac’s latest album Mirage, which had just come out a few months earlier.
  Mirage? What was that album? I’d heard of Rumours, of course, as well as the big (at that time) album Tusk, but didn’t know anything about this one, nor did I know anyone who’d picked it up. But I really wanted the Gypsy Track, and when my friend Herb informed me that it also had the fun song “Hold Me” on it, I was convinced!
   We went down to Tower Records, and as I waited in line looking over the George Hurell-shot cover, I remember the first thing that shocked me was getting used to Lindsey Buckingham without his trademark afro and goatee! The cover was kind of a wraparound thing, with Lindsey and the girls on the front, and the Fleetwood and Mac group namesakes on the back, looking very much like the wards of the ‘Mac Estate!
We took the album home and immediately dove in. While my friend Herb showed only passing interest in the tracks, I was immediately smitten and would go on to not only repeatedly play that album over and over, but make all my FRIENDS listen to it, too!

  One great thing about having three prolific songwriters in the group is a LOT of diversity, and Mirage is another great showcase of the members’ talents. Christine, Lindsey and Stevie each take turns with their compositions, giving the album a decidedly “White Album” feel to it as they build up a musical “quilt” of song genres!

  With Lindsey Buckingham, It’s funny, that in the first two ‘Mac albums he and Stevie were in, his songs were carefully crafted pop/rock tunes, but by the time TUSK came out, his songwriting (to ME at least) started to sound like that Dana Carvey "Choppin' Broccoli" songwriting character who makes up songs as he goes along, and songs like “Not That Funny!” and “What Makes You Think You’re The One” sounded more like jam sessions with nonsensical lyrics than actual singles. 

The songs he penned for Mirage still have this loose free-form feel to them (as in songs like "Book of Love", "Diane" and "Can’t Go Back”, but they are fun and catchy as hell! There’s this one goofy song called “Eyes of the World”, and with its refrain of “eyes…eyes…eyes” as its chorus, my friend James once exclaimed “What the heck is this crap?!” before dancing around, pointing at his eyes in tune with the song. AHAHAHA! But the one masterpiece Lindsey DID lay down for this album was the cool, rocking song EMPIRE STATE, about his experiences in the Big Apple (as opposed to Sunny California). MAN, I love to blast this one!
  Stevie is the one who’s experimented the most with her songwriting, and though “Gypsy” sounds most like her previous work (almost like a sequel of sorts to “Rhiannon”), her other two songs sound more like the stuff she was writing for her solo albums. “That’s Alright” is a country-tinged kicker that almost seems like a precursor for her later “Enchanted” song, but it’s her third track “Straight Back!” that sounds the most like the “solo” Stevie Nicks songs, a slow rocker driven by some awesome keyboards by Christine. The song fades out too soon; I really wish this song could have been a bit longer for how good it is!
 Of the three, Christine McVie is the most reliable here, and she exudes the same romantic pop stylings that gave us songs like “You Make Loving Fun”, “Warm Ways” and “Songbird”. Opening the album with the awesome toe-tapping sunshine-y song “Love In Store”, she runs the gamut through tunes like “Out Of My Mind” and the fun aforementioned song “Hold Me” before closing the album with the beautifully melancholy “Wish You Were Here”, one of her BEST ballads, ever!
 High on the album, that Christmas I was THRILLED to find that they’d released a Videodisc concert of their MIRAGE tour, and after I bought it (at the local RCA dealership), it quickly became the most played movie that season! Songs form Mirage like Love In Store”, “Gypsy” and “Eyes Of The World”(!) were all featured here, and the show even had one of the coolest openings ever with “The Chain”, and one of the sweetest closing songs with “Songbird”!

Although I know that albums like Rumours and the eponymous titled Fleetwood Mac albums are probably greater albums overall, I’ve really come to embrace MIRAGE as my own, because while most Fleetwood Mac fans either love the “Bare Trees” era, the Rumours era, or the “Tango in The Night” comeback era, I have never, NEVER met another fan who owns, much less loves MIRAGE as much as me. Which is strange, because it was a bestseller when it came out…where did all those purchasers get to?