Saturday, November 20, 2010

Favorite Albums: Petula Clark / My Love

One of my all-time favorite female vocallists, Petula Clark probably THE female vocallist of the “Swinging Sixites” sound with hits like “Downtown” and “Don’t Sleep in the Subway”, among others!

Growing up, my favorite song from Ms. Clark, or “Pet” as they called her occasionally, was the super-positive, horn blaring single A SIGN OF THE TIMES. I always turned this one up whenver it came on the radio, Petula’s voice always seemed so sincere and happy as she sang the lines “You’ve changed a lot somehow from the one I used to know, ‘cause when you hold me now, it feels like you never wanna let me go!”.

Strangely enough, it wasn’t until I fell in love with ANOTHER one of her singles that I finally decided I’d better pick up an album from her: One day we were all riding down to drop someone off at the Denver Airport, and Pet’s song MY LOVE came on the radio. With its simplistic lyrics, it was one of those songs that everybody knew the words to, and everyone in the car started singing at the tops of their lungs, “MY LOVE IS WARMER THAN THE WARMEST SUNSHINE SOFTER THAN A SIGH MY LOVE IS DEEPER THAN THE DEEPEST OCEAN WIDER THAN THE SKY MY LOVE IS BRIGHTER THAN THE BRIGHTEST STAR THAT SHINES EVERY NIGHT ABOVE, AND THERE IS NOTHING IN THIS WORLD THAN CAN EVER CHANGE MY LOVEEEEEEEEEE!!!!” After the song ended, we all sat around grinning like idiots, that song made us so happy! I said, “Ah, I really must pick up this song the next time I’m a a record store!”

Well, when I finally got down to the record store, I was PLEASANTLY surprised to find that the album “My Love”ALSO featured my old favorite, “A Sign Of The Times”!! I couldn’t believe it! How did I ever miss picking this album up originally?! For a very modest $6.99 I was able to purchase that album and take it home!

Well, for weeks and weeks, that album was my main disc to play almost every track was just pure pop perfection. Arranged and Conducted by Tony Hatch, the sound of Pet’s recordings really had that Phil Spector “Wall of Sound” aura about it, the tunes just blared out with droning horns, banging drums and riffin’ guitars!

Nowadays, young people cannot imagine having to change sides to hear a complete album, but that’s how it was, and sometimes it would happen that you’d get attatched to one side more than the other…that’s what happened to me with the My Love album!
For some reason, even though side A started with “My Love”, all of my favorite songs form the album were on side B, so it may seem like I have a LOT more to say about the tracks on the second side!!

After  “My Love” starts Side One, next we had “Hold Onto What You’ve Got” and “We Can Work It Out”, and  although only the latter was penned by Mssrs. Lennon and McCartney, both are really Beatlesy in flavor, at least as far as THESE ears are concerned!

“Time for Love” is the song I called the “Downtown” of this album, It really sounds like a song recorded during THAT session with its bright keyboards chirping away!
An emotional Pet on “Just Say Goodbye”, my fave line’s when she sings “It’s sad that you must go, you loved me once, I know, this much I can’t deny”…

“Life and Soul of the Party”-I don’t know if it’s the fact that the song’s about being at a PARTY, but I’ve always thought of this as Pet singing a  LESLEY GORE song, really “Judy’s Turn to Cry” in feeling!
And THAT ends Side One…

 Side Two:
First off, “A Sign of The Times”, followed by a GREAT rendition of  the standard “The Thirty-First of June”, a song that Petula made her own, as she did on so many other tunes!
I think this is Pet singing at her heart-wrenching best, with its “darling” hook, and especially when the song swells up and she sings the lines “Even so, deep inside the fire of love still burns, so please return and love me now!” Powerful!

“I Can’t Remember Ever Loving You” has that tinkly piano that I always thought sounded like “Precious and Few” by Climax, a song that was almost the exact OPPOSITE of Pet’s sad song that ‘s more akin to Barry Manilow’s “Trying To Get That Feeling Again”!

“Dance with Me” features a VERY “Soundtrack-y” orchestration behind her vocals, even slightly reminiscent of the intro to “The Age Of Aquarius” and even a bit of  “My Hawaii” by the Young Rascals!

And closing the album with one of my very, very favorite Petula Clark tracks, Pet’s take on the Guys and Dolls standard “If I Were a Bell”…folks, I’m gonna go out on a limb and say, it just doesn’t get better than this! The horns, drums, Pet’s solid vocals, WOW, this had all the aura of Las Vegas in the 60’s, when everything was “Cool, Baby!”
Why, Pet even throw in a few “Ring-a-Dings” just in case you didn’t catch that one!

This pourchase was soon followed by what would become my OTHER favorite album from Pet, “Petula Sings The International Hits” but these were only the beginning of a long and lasting love of all things Petula Clark and I was probably the happiest guy at Tower Records when, years later, they FINALLYgot around to re-releasing all of Pet’s albums on CD! What they’d done was , each CD combined TWO of Pet’s albums, in the case of MY LOVE, it was on the same CD with  I COULDN’T LIVE WITHOUT YOUR LOVE. Funny thing, THAT album began with Pet’s take on “Strangers in the Night”, and since it followed the MY LOVE album, “If I Were A Bell” went right into “Strangers in the Night”, a PERFECT coupling, both with that aforementioned “Vegassy” feel and Sinatra connection! Ahahahaha

Wednesday, November 17, 2010

Favorite Comics: Ghost Rider #45-47

One of the many comics I collected in the 70’s was the supernatural themed strip GHOST RIDER.
Although Ghost Rider’s origins began within the Marvel Universe I.E. battling super-villains and teaming up with the various heroes of the Marvel Universe (even joining THE CHAMPIONS for awhile), to me, the comic didn’t really “find” itself until scribe Michael Fleisher took over the writing chores in issue #36 or so.

Mike was already famous for his work on the DC title JONAH HEX, and I’ll be darned if he didn’t bring that whole experience along and apply it to the legend of Johnny Blaze, as well!

Gone was the superstar stuntman Johnny Blaze, living in the big city, hiding his secret identity from a girlfriend as he did double-work as an adventurer and part-time member of the aforementioned Champions,( a group that never seemed quite believable to me anyway- Hercules? In a group with Iceman and Angel AND a hell-spawn demon?) and in its place was a Ghost Rider that seemed much more attuned to its lonely demonic origins.

Fleisher took elements of his two more famous works, JONAH HEX and THE SPECTRE, and, along with awesome illustrator Don Perlin (who really had that Jonah Hex western style of art), painted a glorious picture of a supernatural demon wandering across the desert wastelands, helping those in need, with the hangman (or rather, the law) always just one step behind him. In effect, Johnny Blaze became a demonic hellspawn “Man with No Name”!

When I first began reading GR, the series was a bi-monthly title, (and it was EXCRUCIATING waiting the long time between issues!) but once the comic became a monthly venture in issue #40, the strip really took off with the most haunting, memorable tales including Johnny Blaze getting amnesia and one where a wizard splits Johnny and the Ghost Rider into two separate entities!

 But by far, my favorite arc in the series came up on issue #45. Fleisher revisited Johnny’s days as a famous stunt cyclist and in effect drew that chapter of his life to a close, freeing him to continue on as the tortured palefaced rider of the desert plains…

“The Demon Within”

We arrive on the scene as the Ghost Rider is tying up a few loose ends of his previous adventure, catching a trio of crooks who have been pawns in a bizarre plot against him by magician Azazaih in the previous issue. After giving them a punishment of cold, burning Hellfire, The Rider reverts back to Johnny Blaze, and wearily makes his way down to the local pub to have a beer.

When Johnny arrives inside, the local townsfolk are huddled around the bar’s television set, watching in amazement as Stunt Cyclist Flagg Fargo breaks a new motorcycle somersault stunt record, a feat only executed before by Johnny himself! The crowd goes wild, until Flagg starts bad-mouthing Johnny, calling him a coward for not meeting him on challenges he’s been making at every stop of his tour. The bar crowd angrily protest the accusation, saying the Johnny Blaze was the best stunt-cyclist there ever was! Then one of the patrons looks over, and immediately recognizes Johnny as THE Johnny Blaze, stuntman extraordinaire!


Ghost-Rider0
The crowd rallies around Johnny, begging him to come out of retirement and put an end to all of Flagg Fargo’s bravado. After a bit of indecision, Johnny agrees, to the cheers of the barroom!

As Johnny leaves the bar that night, he sees a gang of thieves robbing a nearby warehouse. He hesitates changing into Ghost Rider, and that’s all the time the crooks need to get away. Off in the distance, he sees Flagg Fargo’s trailer, but thinks nothing of it.

In the days that follow, huge coverage has been made over Johnny’s return to Stunt -cycling, and everyone is turning up to see brash newcomer Flagg Fargo take on famous champ Johnny Blaze! But right off the bat, Johnny realizes how rusty he is. He hasn’t trained for this kind of maneuvering in years, and in his very first stunt, he lands quite awkwardly.
Flagg, on the other hand, is steady and sure of himself, and completes his stunt flawlessly. At the end of the heated challenge, with Flagg locked in competition with Johnny, the score has ended up at Flagg’s 325 to Johnny’s 225. Johnny takes it hard, but his sponsors cheer him up, confident that he’ll catch up in the next day’s events.

As Johnny rides home from the arena, he comes across the gang of thieves he’d chased the other night. Not wanting to give himself over to the Ghost Rider, he decides to chase the crooks himself, but is cut off by a car attempting to block any pursuers. Johnny crashes into the car, and as it speeds off, Johnny picks himself up and exclaims, “You want to know something, Blaze old Kid? This just hasn’t been your night!”

Day Two of the Motorcycle Championship at Claremonte Arena is about to commence with  newcomer Flagg Fargo versus Johnny Blaze, former champ, just out of retirement! As the two motorcyclists prepare for the night’s events, Flagg’s constant goading of Johnny is starting to get to him, and he finds he can barely control himself. When Johnny looks like he might strike Flagg, the ref steps in and warns Johnny to keep professional during the event.

The championship starts, and though it begins smoothly, Johnny makes a mistake on the final turn of the obstacle course. Flagg aces the course, and seems to set the pace of the day. For every course Johnny wins, Flagg wins two. And so it is that at the end of Day 2, the scores are Flagg at 625 to Johnny’s 400. Fargo lips off at Johnny after the game, chiding “You’re in way over your head- If I were you, I wouldn’t even bother comin’ back tomorrow!” And this time Johnny doesn’t hold back, walloping Flagg in the chops. The ref comes to break it up and dismiss them. Fargo states “ While You been ridin’ around the country feelin’ sorry for yourself, I been workin’! I been practicing!” Johnny leaves to find his backers are starting to have their doubts that Johnny can pull it off, as well.

During his meal at the diner, a tough thug comes in picking up a huge order of food. Johnny immediately recognizes the man as one of the warehouse robbers he’d seen the night before. Following the thug to a waiting van outside, he changes into Ghost Rider, and goes off in hot pursuit of the crooks. But after a wild chase, the crooks mysteriously disappear again, and this time Johnny notices that both times, Flagg Fargo’s trailer has been nearby.

He deduces that Flagg must be in on it, and smashes in on the startled Flagg Fargo relaxing inside. He manhandles Fargo, demanding he admit to both leading the warehouse crooks AND cheating in the motorcycle championship. He leaves Fargo with, “Once I have caught your slimy accomplices and made them confess, I will return to inflict the full vengeful fury of the Ghost Rider unleashed!”
Later, Johnny laments the foolishness of his acts. He has no proof that Fargo is either a crook or a cheat…and what if he’d accidentally killed him as Ghost Rider? He doesn’t want to even think about that! Winning the championship means so much to him, he even briefly entertains using his Ghost Rider powers to cheat and get ahead, but thankfully opts to race the race honestly.

Johnny knows he must get a good night’s sleep for the final challenge the following day, but after tuning up his cycle, finds he cannot sleep. He drives around aimlessly all night, till he realizes it is morning. He is about to head back, when he sees Flagg’s trailer. Standing atop a mountain view, he can see a nearby hidden road covered by brush that hide the criminals vans from street view! So, here is where they have been escaping to! He bursts in on them as Ghost Rider, and makes quick work of them. He tries to get them to confess involvement with Flagg Fargo, but they insist they have nothing to do with him.

With the capture of the warehouse robbers behind him, Johnny arrives at the Arena with a newfound determination to win. Flagg comments that Johnny looks like he’d been up all night, but Johnny brushes it off, and prepares for the duel! This time, Johnny pulls out all the stops and performs incredible stunts. But Flagg is professional, too, and in the end, just barely manages to still beat Johnny with a close call of 825 to 820.

Johnny’s backers are furious. “Get outta here, Blaze you Bum!” they yell. “Yeah, take a powder, you has-been!”. But it is Flagg Fargo himself who comes to Johnny’s defense. He remarks that all his life he’d wanted to be the best, but what he’s seen Johnny do tonight he can only dream of. So even though Flagg won, he considers Johnny the winner. He offers the trophy to Johnny, but Johnny declines it. “You won fair and square.”
Late that night, Johnny takes one last look at the scoreboard of last night’s narrow defeat against challenger Flagg Fargo, 825 to 820. “ Face it Johnny Boy", he says to himself, "You can stare at that scoreboard till the cows come home, but that still isn’t gonna change it. You lost fair and square.” He realizes he has to accept the fact that he is no longer the world champion of anything.

As he leaves the empty arena, he realizes that most of the blame for his loss came from the fact that he spent more time as Ghost Rider than practicing and getting rest. Musing on how the Rider has completely taken over his life, he decides once and for all to leave the identity of Ghost Rider behind him, and concentrate on becoming his own person. “No matter what happens, I swear here and now, that I will never become the Ghost Rider again!”

Next time we see Johnny, it is three days later, and though Johnny hasn’t changed into the Ghost Rider, he is beginning to feel the symptoms of withdrawal. He can feel the spirit of the Rider rising up in him, trying to come up to the surface. He stops at a roadside bar where he hopes a few beers will calm his nerves down and keep the Rider in him at bay.

Inside the bar, he orders a beer from the barmaid, but before he can enjoy his brew, is suddenly harassed by a trio of Motorcycle thugs who’ve instantly recognized Johnny from his televised Championship defeat. They approach Johnny and goad him into a brawl. He slugs one in the gut and cracks one across the face before the bartender comes out with a stick to chase out the ruffians. After making sure Johnny is alright, they get him another beer on the house.
Later that night (and quite a few beers later as well), Johnny feels it is enough to “keep the demon down”, and stumbles out into the streets, where he find the three motorcycle thugs waiting for him on his motorcycle. The inebriated Johnny cannot even see straight, and the thugs begin beating him with chains and crowbars. The leader called Raz is about to stomp his heel onto Johnny’s head, when a policeman arrives in time to chase the thugs off.

The policeman and his companion, a pretty girl named Amy who is being taken in for loitering, check on the bruised Johnny, and determine he’s alright. Amy offers to take Johnny in if the cop will cite her some other night . He reluctantly lets her go. Once in the car, Johnny is coming to, and tries to thank her for her kindness, but she says she recognized Blaze because her brother is a motorcycle fanatic, and the pleasure is all hers!
At her little home, she shows him the couch to crash out on, and he promises to “sleep like a lamb.” His slumber is restless, however, for his nightmares are crowded with the specter of Ghost Rider haunting his mind. He dreams of torturing the thugs with hellfire, and wakes up with the bloodlust of the Rider bubbling up. He desperately needs another drink to drown the Ghost Rider back down into his subconscious. Amy thinks she is looking at a classic alcoholic when he demands a drink, but relents, and lets him have one, if only to relax him. He has managed, just barely, to keep the demon down again.
The next day is a happy one for the couple. Johnny apologizes to Amy for his actions the night before, as they make their way to the field, where they plan on having a relaxing picnic. After a meal together, Johnny and Amy are cozying up to each other, when Johnny hears the dreaded voice of the motorcycle thugs. They’ve come back to harass Johnny, but this time, all he wants is for them to leave.

They rummage through his motorcycle pack, and pull out his Championship Outfit. One of them puts it on. Then they say they are taking Johnny’s cycle, and want his leather jacket, too. Johnny is angry, but Amy tells him to just do it so they will leave. Johnny reluctantly backs down, and taking off his jacket and handing it to them, growls, “Here, you rotten…Here it is!”
The three thugs ride off and Johnny is furious, but Amy is proud of him for not resorting to violence. She points out that the important thing is that they have each other. But no sooner have the words left her lips, when the thugs return.. and accost Amy! The thugs push themselves onto the helpless girl, and this is the final straw! Johnny has had enough, and as four days of demonic repression burst forth in one huge explosion of rage, Johnny become the Ghost Rider again, insane with anger!!!
This is the first time we have seen the Ghost Rider without his leather jacket on, and for the first time, we see what the Rider’s “muscles” are composed of, swirling, flaming muscular sinews roar around the bones of the enraged Ghost Rider ! With a demonic gesture, he conjures up his chopper in a billow of hellfire, and speeds on to catch his fleeing prey. He immediately has them in his grasp where they are immediately engulfed in icy hellfire, the cold flame searing through them and obliterating their very souls!
Once the horrific deed is done, the fire and brimstone are suddenly sucked back into a weakened form of Johnny, where a frightened Amy rushes to his side. She fully understands his meaning of “Keeping the Demon down” now. “That’s what you meant, isn’t it?” “ That…That awful Thing!” Johnny admits that it is. As Johnny gets onto his cycle, Amy begs him to stay with her. “We can beat this thing if we stay together…I know we can!”, but Johnny sadly drives off, never looking back, thinking, “The Demon is inside me, Amy.” “It’s inside to stay.”

Sunday, October 24, 2010

Five Favorite James Bond Movies

FOR YOUR EYES ONLY

This movie has it all for me…there are so many great scenes one after another…good story and pacing, good female lead in Melina, good partner in Columbo and a KILLER theme song by Sheena Easton!

     From the very beginning, the movie seems different from the others. Bond is shown placing flowers at the grave of Teresa Di Vicenso Bond, his one time wife, slain at the hands of SPECTRE.  He is then abducted by a sinister bald man with a white cat who of course is meant to be Bond’s old foe, the SPECTRE leader, Ernst Stavro Blofeld.

  This is pretty significant in that it clearly linked the Roger Moore James Bond with his predecessors, as if to show, “Yes, this is the same guy”. I remember as a kid having my older cousin explain to me about how his wife was killed by Blofeld in an earlier movie, and even then I could feel the “history” of the James Bond character.

 In any case, although the opening degenerates into slapstick comedy, I think this was meant to mark a point as if to say the older movies were like TV shows, and the movies were going to be more “realistic” from that point on. Too bad they didn’t stick with it in the future endeavors!
   Favorite scenes include the first meeting on Bond and Columbo. Villain Kristatos has tricked Bond into thinking that Columbo is the bad guy. Columbo confronts Bond and tries to assure him that they are on the same side. In an act of good faith, he returns Bond’s Walther PPK to him, proving that they should be acting together. Bond points the gun in Columbo’s face, then they both relax and laugh - partners against Kristatos!

   There’s this car chase that ends with assassin Emile Locque‘s car crashed and hanging halfway on and halfway off a cliff. One wrong move might tip the car off the edge, and Locque is in a jam as to how he will get out of the car! He has always left a pin of a dove whenever he has killed someone. Bond tosses the pin in the car, and the viewer thinks the pin will cause the car to tip over… …but before it does, Bond simply kicks the car with all HIS MIGHT over the edge!!! Ruthless!

  The movie builds up to the assault on the secret base of Kristatos, high up on the bluffs. There are some exciting moments as Bond and crew sneak up the face of the bluff to storm the headquarters!

   And can we ever forget gushy Lynn-Holly Johnson’s Bibi Dahl? Bond shows his age as he fights her off, telling the sex kitten he’ll “buy her an ice-cream!”



LIVE AND LET DIE

The one that started it all for me and gave me a lasting obsession with Jane Seymour! I particularly love the soundtrack and George Martin’s score. I agree with the reviewer who said Martin’s Take on the James Bond Theme song is one of the best! Listen to the powerful intro as the scope opens up on the United Nations Building. Good build-up in the teaser working to a PERFECT segue into Paul McCartney’s song.
    Interesting Henchmen in Tee-Hee and Baron Samedi, and one of the most off the wall and inspired endings of all! (Supernatural reincarnation, anyone?)

 Besides being a thrilling song that PERFECTLY matched the feel of Baron Samedi’s Voodoo land, George Martin took the three parts of the song and turned them into these GREAT musical scores. The “When You Were Young” segment of the song turned into the lush romantic scene music, the Frantic Horns section turned into the actions scenes score, and the “What does it Matter to You” segment turned into the funky island music scenes. Maurice Binder did an excellent Montage with this song, using Fire and Skulls to add to the Voodoo Theme.


GOLDFINGER

It wasn’t until I saw this movie that I understood the whole “secret agent” concept that so many copied in the 60’s. Brilliant, witty dialog, interesting characters and a story that keeps you glued to your seat up until the Fort Knox showdown. I love the fight with Odd-Job and the fact that (as throughout MOST of the movie) Bonds uses his MIND to survive rather than use gadgets. Connery at his very best here, strong, suave and also realistically brutish (love the scene where he’s attempting to diffuse a bomb and ends up GUESSING which wire to pull!) The scenes shot in 60’s California streets (Felix Leighter at a KFC!) and the Shirley Bassey “Herb Alpert” style theme song give this movie a nostalgic feel about it, too!


OCTOPUSSY

This is a Bond movie that I’ve always felt possessive of, for some reason. During its stay at the local theater, I saw it a total of SEVEN times, dragging different people - and sometimes even making the SAME friends go with me multiple times! I was really trying  to “spread the religion” and I STILL feel this movie isn’t as highly regarded as it should. I think the way they took the stories “Property of a Lady”, “The Living Daylights” and Octopussy” and melded it into one linear story is just fantastic! The movie features an awesome teaser opening (Fill ‘er Up!), good movie set-up (the opening with 009 delivering the Faberge Egg to the British Embassy) and man…once the train starts its course, the movie doesn’t let up until the end! And that Kristina Wayborne….Mmm!


FROM RUSSIA WITH LOVE



I love this movie for its detailed and well paced scenes. Director Terence Young relied closely on the original Ian Fleming Novel, and it shows. Great characters (Klebb and Red Grant) and the first appearance of Q! Everyone was here for this one, but my biggest draw for this movie has to be the character of Tatiana “Tanya” Romanova (Daniela Bianchi) whose innocence and looks just sent me head over heels for her. The scene where she is wearing a black ribbon around her neck (and not much else)…HELL! This movie also featured a terrific instrumental opening song…too bad it is usually passed up in Bond Compilations for the Matt Munro ending song instead.

Wednesday, October 13, 2010

Super-Vixens: Dawnstar

You know, one thing that always disturbed me about the future depicted in the pages of Superboy starring the Legion of Super-Heroes was that far from a future of peaceful racial co-existence, it seemed that all the people of different races, colors and creeds gave up trying to intermingle with each other and departed for planets of their own!

 I first noticed this reading the story of Tyroc, the black man with the sonic scream that could teleport him wherever he wanted to go- hailing from an entire planet populated by blacks…my first thought was like, wow, Planet Earth must have pulled some MASSIVE super-segregation in the 30th century!

 Which brings us to Dawnstar, a young girl coming from the planet Starhaven, and THIS one is populated by the descendents of American Indians (Anasazi, it seems) whom I guess realized were never gonna get their land back from those "dirty backstabbin’ Americans", and hopped the first rocket out to colonize a new planet!

They’ve somehow grown wings and are able to fly like eagles- for some reason, this oft-used relationship between the eagle and Indians makes sense to me, as the Eagle has always seemed synonymous with the Indian  philosophy (is it un-PC to say Indian anymore?), think about that song “Eagle” by ABBA- very Native American in feel!

In fact, I hereby declare that ABBA song as the official theme song for Dawnstar!



Of course, being of Native American descent, her costume has tassles and fringe. All “Indian” characters costumes have to have that fringe! Well, maybe not. But just taking a quick glance at heroes like  Thunderbird, Dani Moonstar or even Talisman, it sure seems like it to me!

Created by Paul Levitz and Mike Grell in
SUPERBOY starring the LEGION OF SUPER-HEROES #226

Wednesday, September 15, 2010

Favorite Songs:"End Of The Line" by Concrete Blonde

  California alt rock group Concrete Blonde are such terrific songwriters that their take on other artists’ tunes are largely overlooked- Unlike some other groups who merely “do” covers, this group takes songs they like and lovingly transform them into true Concrete Blonde masterpieces!

  Songs like George Harrison’s “Beware of Darkness”, Thin Lizzy’s “It’s Only Money” and Tommy James’ “Crystal Blue Persuasion”…Listening to any one of their covers and it is obvious that the band has given the same amount of time and crafting to these tunes that they’ve given to their own songs!

Of all these cover tunes that the band has produced, (and there have been many, many…!) the song that stands out in MY mind as one of their very best is their take of Roxy Music’s THE END OF THE LINE, featured on their incredible 1993 album MEXICAN MOON.

There are lots of reasons why this cover works so well, but a large part of is that by the time Mexican Moon came out, vocalist/bassist Johnette Napolitano and Guitarist Jim Mackey were seasoned pros; after travelling across the world a zillion times in as many tours, their experience shows through in their sound-No one croons like Napolitano with her low, growling whispers and powerful wailing, and when you add in the lush, layered guitars of Jim Mackey, you are left with pure perfection!

The End of the line was originally off Roxy Music’s 1975 SIREN album, and though I liked the song, I always thought of it as the opening to the avante-grade third track “Sentimental Fool” (since they were essentially connected) and never thought of its potential as a “single” type of song. WOW, how the Concrete Blonde version has changed my mind!

Over the years, I have made quite a few Concrete Blonde cassette mixes for people, and almost ALL of them have concluded with “End of the Line”… Just listening to Jim’s  echoing reverb as he picks out the  resounding notes on his guitar- with double-tracking and a guitar synthesizer, he’s created this beautiful guitar harmony , and then laid over this is the incomparable Johnette’s heartfelt singing- She sings with such passion, you really feel like the lyrics are hers, and when she hits those notes…MAN! Just awesome!


The End Of The Line
(Bryan Ferry)

Take a walk out in the rain
Called you time and time again
Everything is wrong-
You´ve gone

Reached the point of no return
The more I see the more I stand alone
I see the end of the line

Were you ever lonely?
Mystified and blue?
Realising only
Your number´s up
You´re through

Had my share of winning
Now´s my turn to lose
After a fair beginning
The game´s up
You’re through

Think I´ll walk out in the storm
Got no love to keep me warm inside
I see the end of the line
Now´s the time to take a dive
Try a magic carpet ride
Everything is wrong
You´ve gone

If you ever miss me
If I should cross your mind
You know where to find me
I´ll be waiting at the end of the line

Tuesday, September 7, 2010

Electric Company: Phyllis and the Pharaohs!

I did not grow up in the Fifties, but being a child growing up in the SEVENTIES, it just as well may have been, what with the burgeoning 1950’s retro boom in full swing!
With movies like American Graffiti, The Lords of Flatbush and Grease on the movie screens and television shows like Happy Days and Sha-Na-Na in the homes, it’s no wonder my childhood memories seem to stretch back further than my birth!

Even the 1950s musical style was enjoying a sort of renaissance, and one outfit I particularly liked as a kid was Rita Moreno and the guys (Morgan Freeman, Luis Avalos, Jim Boyd and Skip Hinnant) as a cool vocal group doing a decidedly Fifties take on their songs, the incomparable Phyllis and The Pharaohs!
Looking at it now, I’m not sure how they intended to keep a kid’s interest in the skits, as they weren’t done for laughs per se, meaning, no juvenile humor  or zany slapstick to keep the kids entertained- just sweet, catchy tunes… and guess what- that seemed to have done it- at least to THIS young musical connoisseur!
When I was a kid, my hands down favorite of the Phyllis and the Pharaohs songs was “Grease”, a tune I constantly (and irritatingly, at least to my friends and siblings within earshot) sang over and over again at various speeds and pitches, ESPECIALLY Morgan Freeman’s groovy bassman lines, but watching (and re-watching) the Electric Company  as an adult, BY FAR  my favorite song has to be “Is It Love?”…
Listening to it now, I can see why it was (back then) my least favorite of the bunch, as it was clearly the most “mainstream” and “normal” sounding of all of them, but SERIOUSLY FOLKS! Never mind that this was a little ditty simply written for a kids show to teach you grammar- this song was just BEAUTIFUL- with a playful Moreno lead vocal over AWESOME background harmonies by the guys, this is the song that REALLY takes me back to my childhood, and I’m inundated with those faux Fifties memories I told you about!

Friday, September 3, 2010

Super-Vixens: Lilith

When the Teen Titans began in 1966, it was a comic geared towards kids with a supposed “hip” slant to it, but with scripts that seemed decidedly UN-Hip (Mad Mod, anyone?) and it wasn’t until Dick Giordano came aboard and re-tooled it with the likes of Neal Adams and Marv Wolfman did it actually come across as a cool, timely strip.

 Stories were introduced that more accurately reflected the times of the late-sixties with Race Riots, Love and Peace, and College Protest Marches, and along with these tales we were introduced new characters that reflected the times as well…

Among these new characters was the gorgeous if not slightly aloof red-haired temptress named Lilith- though she was Clairvoyant Telepath, she was less like a super-heroine than that Annie Golden character in HAIR, and when she wasn’t helping out the Teen Titans with their various dilemmas, she was rocking out in the Go-Go dancing cage and/or rocking out the coolest and sexiest dresses and outfits!

 And by outfits, I mean CLOTHES outfits…A funny thing about Lilith is that she (along with fellow new character Mal Duncan) never ever did get a costume proper and spent the entire series in civilian clothing. Each episode I would wonder just when the heck she was going to get a costume, but before I realized it, I was used to and quite happy to see her in her swinging’ sixties dresses, and didn’t WANT her to wear a costume!

When Marv Wolfman and George Perez revamped the Titans in the 1984 series “The NEW Teen Titans”, I was disappointed to not see Lilith among the ranks (but satisfied myself with the knowledge that at LEAST Donna Troy would be there, and even MORE comforting was the exclusion of those characters from the mid- seventies East/West Teen Titans whom I’ve NEVER liked). And though I’ve read that they DID eventually bring Lilith back in some capacity, by that point I’d stopped collecting the New Titans, and missed out on it completely. Ah well, chances are I woulda been disappointed anyway- nothing can compare to the vibrant sixties era Lilith, a true product of her times!

Monday, August 30, 2010

Super-Vixens: Darthartheen

Another  awesome “one-shot” character by John Byrne,  Darthartheen was one of the descendents of OA who knew how to handle a power ring just as well as Hal Jordan himself!

 Featured in the Green Lantern special GANTHET’S TALE, (drawn by Byrne and written by science fiction writer Larry Niven), Darthatheen’s multi-dimensional persona made her stand out among Lantern’s opponents, and the open-ended revenge theme leads one to think Niven and Byren were planning on expanding her character in some future tale.

 Throughout the tale, facets of her complex personality are hinted at- after savagely battling with the girl, Hal is surprised to find she actually cares about the fate of  an advesary she may have been able to save. When she is confronted with the death of her beloved father, she swears revenge, and we think we’re getting set up for an awesome cosmic showdown between Hal and Darthatheen…

 But, it was not to be, and to this date, GREEN LANTERN: GANTHET’S TALE is the sole appearance of the tough but thoughtful woman warrior, at least as far as I know! If anyone has any information about this young lady, PLEASE drop me a line!

Wait, Did I say YOUNG lady? As Hal noted himself, though the gal might LOOK like a pretty young lady, Darthatheen is in fact, hundreds of years old!

Darthartheen

Green Lantern: Ganthet’s Tale

By Larry Niven and John Byrne

Friday, August 20, 2010

Selma Blair "Kill Me Later"

Have a friend who's crazy about Selma Blair and told me I MUST watch her horror/thriller movie "Kill Me Later", and burned me a copy...

Good Movie, and I must say, Selma Blair DOES looks quite smoldering in this one…
Not that many people out there look so sultry taking a drag on a cigarette…!

Tuesday, August 17, 2010

Peanuts / Calvin and Hobbes Deja Vu!

I've always loved Peanuts comics as far back as I can remember- For some reason I always identified with poor Good Ol' Charlie Brown! I remember spending  all my allowance on those paperback books (the ones that were condensed versions of the "real" collections like "Thompson's In Trouble, Charlie Brown") and spending entire weekends just sitting around reading them!
  Years later, the comic strip Calvin and Hobbes came out- I immediately fell in love with the strip, because it gave me that same feeling I had when I used to read Peanuts, and it wasn't just the fact that Linus and Calvin dressed the same! Calvin's world of make-believe and the way Watterson strung several strips to tell a greater story all had the feeling and warmth of the old Schulz strips!
  Reading Calvin and Hobbes, every once in a while I would get a strange feeling of Deja Vu, like I'd read something like it before in a Peanuts strip. It got to the point that I went back and dug out some of my old Charlie Brown books, and was quite surprised how many of the Calvin and Hobbes strips echoed the Peanuts ones!

For those like me who always had that sense of deja vu,I thought I'd line some of them side-by-side so you can understand better what I'm talking about!

"Killing the Pumpkin"
Both Linus and Hobbes get squeamish watching a Pumpkin meet its demise

"When You Wish Upon A Star"
Both Sally and Calvin expect instant rewards from Starwishing.

"The "Penitent Sinner" Shtick"
False regret doesn't work for either Linus OR Calvin!

"If I could, I'd flee from School"
Sally and Calvin both dream of tickets out of Elementary School.

"I'd rather dance that perform my part in the School Play"
Linus and Calvin both try to soft-shoe their way out of reciting.

"Pursued by Inanimate Object!"
Both Lucy and Calvin are being chased by things brought to life,
in Lucy's case her brother's Blanket, and Calvin's is his bike!

"I Opt out of this Sled Ride"
Both Snoopy and Hobbes wisely step-off a dangerous sled ride.

"Homework? What Homework?"
Both Charlie Brown and Calvin procrastinate all week on doing their homework.
Both don't learn their lessons.

Peanuts is copyright United Features Syndicate Inc
Calvin and Hobbes copyright Universal Press Syndicate

These pics uploaded for entertainment purposes only...please don't sue my ass!

Tuesday, July 20, 2010

A Tale Of Two Cardigans

Years and years ago, a coworker of mine introduced me to the lush sounds of the swedish alt/pop group The Cardigans with a mix cassette of her own devise. The songs she chose were selected from the group's first two releases, Emmerdale, and an album called LIFE. WOW, what a group! Sounding like a mix between the Beatles, George Shearing, and the Pied Piper of Hamlin, this was a VERY unique sounding band!

So after a few weeks of listening to that cassette, I fell in love with their retro, 1950's sound and decided I just HAD to have them on CD! Asking the girl about which albums to get, she told me, "Emmerdale and Life". Sounded easy enough, right? So I ran to the store and picked up both discs, and couldn't wait to blast 'em on my stereo system at home!

Well, It all seemed good, until the time came when I wanted to burn a CD in the same order of that Mix Cassette she'd made for me, and realized the song "Travelling With Charley" was nowhere to be found!
A winsome, quirky tune about a shleppy, unlucky (but determined) detective, this was one of the first songs I liked on the mix, and just HAD to have it on the CD!

So the next day at work, I asked her, "Say, where did you get the song Travelling With Charley? It ain't on either of those two CDs I bought." She thought about it and said, "it was on the Life album." I went like "Huh?" and decided to double check. Went Home, checked the Life CD. Nope, it wasn't on it. "Well, that's where I got it from", she flatly stated the following day. Ermmm, OK...

So my poor CD ended up without that song, and it wasn't until years later (and long since the Cardigans had become a famous, mainstream pop group with their single Lovefool) poking around online that I found out that the version of LIFE that my friend had was an IMPORT version, and that particular release had two or three songs not on the domestic "Mintyfresh" release! Argh! I made my way to ebay, and found an international seller selling a copy of Life right away, and when I finally got the CD in my hand, I was PLEASANTLY relieved to see, listed as track number 7, that elusive Charley Song!

You best believe that I reconstructed that original Cardigans mix right away, and that playlist now lies on my Ipod, ready to play at a moment's notice! And though it's not quite a standard representation of the Band's sound, have a listen to the song that caused all that fuss, the  spacey and airy Travelling With Charley!